Documentary Filmmaker Pays 'Son Mexicano' Homage Marisa Trevino - LatinaLista
go to original September 19, 2012

UN SON MEXICANO goes deep into Mexico to explore the wonders of a little known style of music called son huasteco (huapango), the people who love it most, and the musicians who keep it alive. (Roy Germano Films)

Anyone familiar with regional Mexican music knows about rancheras, corridos, mariachi, cumbias, etc. What most people don’t know is that there is a whole genre of Mexican folk music known as Mexican Son music.

Mexican Son music, with “son” meaning sound, is folk music that is a mixture of Spanish, African and indigenous elements that uses string instruments, like guitars and violins. The dance that usually accompanies this kind of music has evolved into what is popularly known in the United States as “ballet folklorico” or Mexican folk dancing.

It’s said that mariachi music morphed from the Mexican Son music from the state of Jalisco. Variations of Mexican Son can be found in other regions of the country as well. One particular type is known as huasteco (huapango).

Being such a regional type of music, it’s not unusual for most people outside Mexico to be unfamiliar with it, or at least know what it’s called. Yet, if Roy Germano, the filmmaker who created the documentary The Other Side of Immigration, has his way the whole world will soon know about huasteco. Germano and his production company are finishing work on a new 26-minute documentary titled A MEXICAN SOUND / UN SON MEXICANO.

“I first heard son huasteco many years ago (without even knowing it) when Cafe Tacuba’s popular rendition of “Ojala que llueva cafe” came out,” Germano wrote in an email to Latina Lista. “Cafe Tacuba had a great son huasteco violinist named Alejandro Flores play on that track, and the song is infused with distinct son huasteco rhythms, violin solos, and falsetto singing.

“The first time I heard traditional son huasteco —”real” son huasteco — was in 2008 while filming my first documentary, The Other Side of Immigration. A friend and I passed through the Huasteca region — a mainly rural section of northeast and central-east Mexico — and picked up a son huasteco compilation CD at a market. I fell in love with the music then and have been learning about it ever since.”

The filmmakers traveled deep into La Huasteca territory to capture not just the unique sound and delivery of lyrics but the way the music is infused into the daily lives of the people in the region. The film introduces viewers to not only the musicians keeping the music alive but to the people through whom the music lives — from a husband-wife team who have been making recordings of son huasteco for 40 years; a man who has created the longest running, weekly son huasteco festival in history and to the new generation of young people who are making the music their own.

Germano and his team have created a Kickstarter campaign to help finish the film so he can submit it to film festivals. As of this posting, he has already surpassed his goal but is urging for more donations so that more royalties can be given to the musicians, more entry fees for film festivals can be paid as well as final post-production work.

For Germano, who has spent a lot of time in Mexico and detailed the challenges and hardships many Mexicans face, this film is about showing another side to a country he has learned to love.

“The Other Side of Immigration focused a lot on Mexico’s problems. For my second film, I wanted to share some of the things I love about Mexico<” Germano wrote. “Telling the story of this uniquely Mexican sound gives me the opportunity to show that Mexico is more than the drug violence, poverty, and corruption we read about everyday in the news. The Mexico I know is a place with vibrant traditions, warm people, and breathtaking landscapes.”

Copies of A Mexican Sound/Un Son Mexicano are available for pre-order on the Kickstarter campaign page.

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