| Man at the Crossroads: Mexican Artist Diego Rivera's Mural at Rockefeller Center Allison Keyes - NPR | |
| go to original March 12, 2014 |
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Man at the Crossroads: The story of Diego Rivera's unfinished mural for Rockefeller Center, and the recreation of the mural in a painting by artist George H. Rothacker. (George Rothacker)
When Mexican artist Diego Rivera was commissioned in 1932 to do a mural in the middle of Manhattan's Rockefeller Center, some might have wondered whether industrialist tycoon John D. Rockefeller Jr. knew what he was getting into.
In 1934, the legendary artist's work was chiseled off the wall.
Now, in Washington, D.C., the Mexican Cultural Institute has mounted a show that tells what happened to Rivera's mural.
"Man at the Crossroads: Diego Rivera's Mural at Rockefeller Center," is a whodunit tale that also illustrates the tensions between art and politics. Exhibition co-curator Susana Pliego says the Rockefeller family was aware of Rivera's leftist politics when it commissioned the work.
"They tried to have pieces of the best artists at the time," Pliego says. "That was why [they wanted it], because of the artistic and commercial value of his work."
Pliego says Rivera got a three-page contract laying out exactly what management wanted.
Rivera was asked to show a man at the crossroads, looking with uncertainty but with hope and high vision to the choosing of a course leading to a new and better future.
"The theme of Rockefeller Center was 'New Frontiers,' so that was a very spiritual way of looking at development and art," Pliego says. She wonders what made the Rockefellers think that Rivera's vision would be the same as theirs.
Read the rest at WBUR.org
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